House as a kind of kinship/read and shade/whether the camera(director) having phallus/“the feminization of black gay men and the complex of racist, homophobic, misogynist, and classist constructions that belong to a larger hegemonies of oppression/vogue dance/phantasmatic reality/justaposition of the “normal scene and the ball
ballroom culture在上世纪八九十年代成为以lgbt+群体为代表的亚文化进入主流视线drag queenvoguing等系列“文化产物对fashion industryclassesrace relations产生巨大影响颠覆传统性别二元认知地下舞池的边缘文化掀起了前所未有的文化革命当然尚处于小众发展时期的群体不可避免地经历“结构性自相冲突过程--即“being femaleor“owning feminine characteristics的区别如labeija所言“having virgina doesn't means good life, it might be even worse(后期关于导演褒贬不一的评述以及影片视角的争议似乎更为奇观化)